universal audio dream 65 vs iridium

The three toggle switches perform several functions: The speaker switch selects the mics speaker cabinets GB25, Oxford and EV12 and pressing the switch down cycles though all six cabinets, plus bypass, which may be prefereable when running into your own amp/speaker rig. universal audio dream 65 vs iridium. The latest news about Universal Audio Dream Vs Walrus Acs1 Vs Strymon Iridium Fender Amp Comparison. 60 Cycle Hum 114K subscribers Subscribe 1.4K Share 85K views 9 months ago #guitar. The Woodrow 55 really is adelightful little amp, full of nuances and historic tonal references. It feels solid and durable. An additional three bonus cabs are available on registration of the pedal via the UAFX app (the whole cab, mic and room element can also be bypassed for running the pedal into areal guitar amp), and there are three custom boosts or circuit mods you can select. Can you set up the stomp so that the 3 foot switches do different things? By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. The six cab sims on it are all great. You can find them used for around $300. Get the most authentic emulation of a mid'60s American tube combo ever placed in a stompbox Immerse yourself in classic tubepowered spring reverb and vibrato effects Do the headphones have to be powered or does the amplification occur in the pedal? The Iridium is now for sale. Here too, UAs recommended pairing of a Silver speaker with the Normal channel for a classic Brian May setup will inspire you to check out the other micd-speaker combinations on offer here. I don't think the amp itself needs a bypass switch because there's kinda no reason you'd need to turn it off mid-song. If you are aVox fan, youll know the players and vocabulary of the sounds. I think this is a case of GAS getting the better of me because I literally cannot find anything it can do that I didnt already have. Many of the people Iknow who do actually use modellers extensively have eventually gravitated towards using just one or two virtual amps, with subtly different settings, rather more closely replicating the experience of using just asingle real amp and maybe some pedals for variety. Future Publishing Limited Quay House, The Ambury, The three selections on the right-hand Boost switch play a big role in shaping tones. I did my best to tone match each clip, but it is worth pointing out that these two pedals really do not seem to be a 1:1. Thank you for this comparison. Wondering the same. Very helpful. With the introduction of their Model 2-610 Microphone Preamplifier ($2,295 list), Universal Audio has ventured into new territory. Even the H9 has lots of tremolo options. The spring algorithms on the H9, Collider, and True Spring are top notch. So far, it has been a completely analog mono signal path. Thanks for the detailed write-up. Almost exactly ayear after Universal Audio launched their UAFX pedals, its finally here. But that isnt necessarily fair as it is comparing a single $400 pedal to like $1600 worth of pedals. What each of us looks for in aguitar amp is obviously very personal, and there is no reason why that should be any different when seeking to replace areal amp with adigital simulation. I would say the second best amp sim I've played is the two notes cab m+ because you can much more easily configure multiple mic set ups and go into the weeds with the tubes and preamp set up. I was gonna do my own big write up on this same subject (and still might), but this hit a lot of the points I was gonna bring up and more succinctly than I usually can. Some people have had decent results, but depending on the impedance of your headphones you might get very disappointing volume levels. For me though the Helix shines more for its boutique models, rather than the stock Fender/Vox/Marshall options. Find out more about how we test. This one does one but does it amazingly. Within a cluster phrase, each note still has its own tonality. AMP SIMS - What I wanted to know most is whether or not it can actually do anything that my existing pedals wouldnt allow me to do. JHS Kilt v2 - Apparently this is a signature pedal, but I have no idea who STU G is. JavaScript is disabled. Huge in mono, and some subtle spread in stereo. Its not ideal, but there are few enough controls that its not really aproblem in practice. Boost comes from anicely modelled Maestro Echoplex EP3 preamp stage, which adds colour and abit of heft to the sound. The modelled tone stack obviously works in conjunction with the circuit tweaks of the modded amps. Starting out with the Dream 65 Reverb-Amp theres volume, reverb, output, bass, treble and boost, the latter two doubling as speed and intensity when tremolo is active. Universal Audio Dream 65 - Is this the best Fender style amp/cab pedal I've ever tried? You can also use it as 4 cable method to add the preamp to your existing amp with fx loop. Okay so I think I may be one of the most qualified sickos to review this because I'm an absolute maniac for amp sims and I've owned or played with: Iridium / DSM & Humboldt Simplifier (deluxe and regular)/ Walrus ACS1/ Two Notes Cab M+/ line 6 HX stomp. However, I purposely chose to show those two things side-by-side in order to highlight the fact that these two pedals really focus on different features and different approaches to the "amp in a pedal" product. In aword, superb! Now, with the pedal bypassed, your guitar signal goes straight into the front of amp, with the pedals input 2 routing straight across to output 2 to complete the effects loop. Indeed as read on the UA forum, all you'd need is a Y-cable to combine the 2 outputs into 1 TRS female (1/8" or 1/4" depending on why you headphones have). Visit our corporate site (opens in new tab). It feels solid and durable. 0 comments. Create an account to follow your favorite communities and start taking part in conversations. Does either configuration help when switching to other amp models? Housed in the same aluminium chassis as the UAFX units and with the same physical layout of controls, theres amodelled 1955 widepanel Fender Deluxe, a1961/1963 Vox AC30 and a1965 Deluxe Reverb, or, to give them their full names, the Woodrow 55 Instrument Amplifier, Ruby 63 Top Boost Amplifier and Dream 65 ReverbAmp. Recorded to DAW via a two-channel DI box straight from the stereo output of the pedal, with no recording or mix processing. As a Vox Super-Fan, I wish to offer the Ruby '63 sounds better the the Iridium Vox style tones. More Details $ 399 .00 As low as $17 /month with 24 mo. It sounds like a Deluxe Reverb. When you activate the pedal, the guitar signal bypasses and replaces the amps own preamp, entering at the loopreturn stage, whilst the effects loop continues to function as normal. The Universal Audio Dream '65 is a reverb amp modeler with digital algorithms and presets. UNIVERSAL AUDIO DREAM 65 VS STRYMON IRIDIUM SOUND COMPARISON - YouTube Who doesn't use an amp simulator now a days , everyone does. financing* See all payment options Add to Cart In Stock! Built on powerful dual-engine processing and world-class UAD modeling, Dream '65 delivers bold cleans, sweet breakup, and divine spring reverb and vibrato. They have real dynamics at performance levels, which is where so many modellers fall down. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. I have and love Dream--it's a perfect Fender in a box without buying four or five separate products to get there. Based on a Vox AC30 (opens in new tab) platform, the Ruby 63 Top Boost has a control layout consisting of volume, cut, output, bass, treble and boost. If you have an amp you like, you probably don't really need a Dream unless it's a sound you can't get yet, or you want to go ampless for live or recording. Universal Audio Dream '65 Reverb Amp Pedal Features: Authentic end-to-end replication of one of the most iconic 1 x 12-inch combo amplifiers of the '60s Boost control for easier breakup, with unique settings on each amp mode Built-in spring reverb and vibrato to capture the sound of the '60s Like most things on aVox, its abit different and certainly rewards experimentation. However, their electrochemical stability is still not sufficient. I got the dream because I like physical knobs on my gain based pedals, and because I like using the Stomp as a powerful fx unit. They are what they are. Iguess it is just the sort of compromise you have to make in trying to implement as much operational facility as possible into asmall number of physical controls. Two-Rock 2x12 extension cab with Celestion G12-65s, with ribbon and 57 mic emulation, which mimics a California ported cab sound. You can then choose your speaker, cabinet and mic setup. Someone mentioned in the other thread that apparently the outputs have the impedance to drive headphones and you can combine the outputs with another cable to get stereo, but it seems pretty inconvenient. It took a while to get to know it and get it dialed in, but I have it in a place that I really like. Some presets also use setups not available in Live mode (mismatched speaker pairings, offaxis miking) which Ifind rather frustrating. Measure content performance. Built on powerful dual-engine processing and acclaimed UAD modelling, the Dream '65 is designed to deliver broad cleans, sweet breakup, and heavenly spring reverb/vibrato effects all from a compact unit that easily fits on your pedalboard! Universal Audio UAFX Dream '65 48 +7 Sound samples Hazey 0:00 0:00 Stereo Amp and Cabinet Emulation Pedal With spring reverb and vibrato, multiple speakers, cabinets and boosts, live and preset modes, and customisation options with the UAFX mobile app Microphone and speaker combinations from the OX Amp Top Box If you're looking for even greater control, the Dream '65 sports Bluetooth compatibility to connect to Universal Audio's UAFX app for enhanced editing, access to artist presets, and more! In arecording context, at least, you might question the point of hardware boxes at all, given that you can access very highquality amp emulations in software, not least in the UA ecosystem, with minimal latency. The 123STABLE project will feature platinum- and iridium-based nanostructures as a model system to introduce a unique "123" approach, as they still possess the best electrocatalytic properties for the future electrification of society through the Hydrogen economy. UAFX pedals feature true stereo processing, so the left and right inputs are processed completely independently. The Woodrow takes you straight to the 50s zone by virtue of its two channels, which are internally jumpered to facilitate blending the brighter more aggressive instrument channel with the cleaner-, bassier-sounding mic channel. The inclusion of multiple amp emulations in hardware digital modellers from day one may have created aculture of expectation that perhaps doesnt now quite fit the realworld experience. All YouTube videos I've watched go nuts saying the UA Lineup is the best thing ever happened to modelling, so I find it really cool to hear the difference to the hx-stomp isn't that big. Unless you are familiar with these amps, you might think the inclusion of the Mic inputs volume control in the modelled pedal somewhat irrelevant, but the interaction of the two volumes is actually areally important part of the Tweed Deluxe sound. I would have loved to get the HX but it was a bit more money than I could get the ampero for. Source Audio Collider - probably the stereo best combo reverb and delay pedal out there. Ive seen many people write about the near-identical tone that can be had between all the mainstream modelers today; but there is always an unquantifiable feel difference mentioned. Consolidating rigs into a smaller footprint, recording, adding flexibility, Capable of replacing you amplifier entirely, But another, perhaps more important, feature of the Dream 65 is that it consolidates so much functionality into one spot. Strymon Compadre - a criminally underrated pedal. hide. The growing family of UAFX pedals from Universal Audio now includes three amp-emulator models that join the Astra Modulation Machine, Golden Reverberator and Starlight Echo Station we previously reviewed. Once enabled in the app, you can connect output 1 to the front of the amp, where you would normally connect aguitar, and output 2 to the amps effectsloop return. I run a matchless DC30 sim through York Matchless 212 IRs and its . The room simulation is spectacular, and just lifts you out of the dry sterility of closemiking into aplaying comfort zone when recording. Lastly, D-Tex (the aforementioned SRV mod) has both more gain and midrange. If you've registered the product with Universal Audio and downloaded the bonus cabs, you'll also have a 'boutique 2x12 ported cabinet', a 4x10 combo cab, and a 2x12 with JBLs. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Amazon Warehouse often has pedals that were returned for significantly discounted prices. UAs Dream 65 ReverbAmp is capable of some of the finest, most detailed and, above all, most playable emulations of arecorded amp sound Ive ever heard. The first thing I did was disengage the boost, tremolo, reverb, and the cab sim on the Dream 65 and run it through the same York IR that I was running my HX Stomps DR through. The Rubys Brilliant channel is a blast to play through, as it models the original top boost circuits extra tube to deliver more gain and treble. Also find news related to Universal Audio Dream Vs Walrus Acs1 Vs Strymon Iridium Fender Amp Comparison which is trending today. I replaced my Flint for this pedal and couldn't be happier. There is a reason it is on so many pros boards. I have a iridium, I thought it sounded pretty good through headphones. Im trying to set my stomp and dream up like this. King, Prince and Scotty Moore and interviewed gear innovators such as Paul Reed Smith, Randall Smith and Gary Kramer. There's no escaping the fact that, for a pedal that only offers one amp model, the Dream '65 is a pricey prospect. Hmmm. For testing I plugged in either a Strat or a Les Paul and ran the three UAFX pedals daisy-chained together into either a compact live rig with a small power amp and a 1x12 cabinet, or direct into a PA, usually in mono. The middle switch has Alt, Amp and Store functions. Remember, there is still an emulated power amp running here, so it tends to work best with amps that arent already distorting too much. The Dumblestyle boost is also aprogressive tonestack lift, but compensated for to some extent in later circuitry. Heres how it works. I owned a rack unit kemper which I eventually sold because what I really want is basically a kemper that's simplified and in a smaller pedal format (the floor version is still too big). Reddit and its partners use cookies and similar technologies to provide you with a better experience. It is like having 50 different pedals in one enclosure. Wouldn't it be cool if the UAFX Starlight echo could also have that option? The Woodrow 55 Instrument Amplifier models all the subtle nuances of aFender 5E3 Tweed amp, including the interaction between the instrument and mic stages.It is quite hard to imagine asingle amp being able to deliver both Larry Carltons sweet sustaining cleans and leads of the 70s and Neil Youngs guitar mayhem, but they are both very characteristically Tweed Deluxe. The iridium was always in the uncanny Valley for me but still usable, and I found mine didn't take other pedals well at all. I love the Neuro Desktop App for deep dives. How much feel difference would you say there is? It should run fine on a pedalboard's 9V power supply. The bottom setting is EP-III, which models the preamp from a solid-state Echoplex tape echo. But imo the learning curve on dialing in the exact sound you want on the helix is very high, at least in my experience. . I typically run an Eventide H9, Source Audio Collider, and a Source Audio True Spring in the effects loop. UA recommends the combination of the Blue speaker selection with the Brilliant channel as a pairing used by the Beatles and U2, which is certainly a good start for exploring the other five micd-speaker combinations, a good one for distortion tones being Match, a 2x12 Matchless cabinet with Celestion G12-H speakers micd with a Shure SM-57. With some proper dialing and a good 3rd party IR, the hx stomp is very hard to beat. Excellent quality tone and a ton of tonal options to top bottom. This one can get very raw! Theres no spring reverb on an AC30, so here we have UAs really lovely Dynamic Room Modelling, as used in their OX processor, and based on UAs own 610 studio in California. DId into arecording setup, and driven by typical singlecoil or humbucking passive pickups, the Stock modelled Deluxe displays atypically 6V6tube sweet style of clean up to about four on the dial and gradually begins to offer up avery touchsensitive, edgeofdistortion breakup thereafter. Its so good for combating the unnaturalness of aDId situationquite hard to say if Id miss the room or the spring more, if the Dream 65 had the room instead. Absolute heaven with aTele. The comparison between the @UniversalAudio Dream '65 and the @strymon Iridium. DaveLockwood. Theres proper tuberectifier sag like Ihave never felt before in amodeller. If you already have a Helix/Stomp along with great outboard pedals (H9, Collider, True Spring, etc), then you may not be getting any real addition. Important Power Notes. When you start using the modified amps, Ifind those settings seem to want to be more like seven and two, which mirrors my realworld experience. Happy to keep my hx-stomp knowing I'm not missing much with the dream/ruby :). The "room" on the Iridium versus the digital emulation of spring reverb in the Dream 65 are totally different (and I do not think they were meant to compare, really). But if there is aconsensus, it is that digital modelling of guitar amps and speakers has come avery long way in the last few years, and for many players our choice is no longer acase of Is that good enough? but rather Do Ilike that one better than this one? Youll notice Ihavent referred to any digital spec or latency figures in this piece. The DTex mod replicates the effect of completely disconnecting the vibrato circuitry, adding both lower midrange and gain, as well as progressively bypassing the tone stack, for even more gain as you turn up the Boost. Admittedly, I put that down to my own lack of experience with 50s tweed Fenders. The middle switchs Alt position selects room amount (ambience), vibrato intensity and speed, which are available, respectively, on the bass, treble and boost knobs. Given the potential vagaries of Bluetooth connection and the possibility of your mobile device being inconveniently out of power, Ithink there really should be an emergency revert to Live/Preset routine accessible by rebooting while holding down both footswitches, or something. More posts from the universalaudio community. Universal Audio UAFX Dream '65 VS Strymon Iridium [BGM] - YouTube Answer2:24The backing after 0:20 is the sound of A.It's connected to other pedals, but only Timeline (to Lead) is. A good tube in the right hand slot will help you fine tune the distortion character to your liking. So many brilliant (literally) sounds in here. Even on the highestgain sounds, amplifier selfnoise remains lowmuch lower than the real thing. Ihave this mod in my Deluxe, too, and it is superwell replicated here, complete with the potential pitfall of making things too woofy if you are not careful to balance its effect against other control settings. Like you I can dial in some unbelievably great sounds with the amp sims and York IRs. The app will allow you to backup and restore your preset library, access the factory and artist presets, and reassign the functions of the two footswitches. Built upon powerful dualprocessor engines and UA's proven analog modeling expertise, UAFX Guitar Pedals give you sonic authenticity far beyond other stompboxes. So in theory, you could set the 3 switches to be boost, reverb and tremelo? Like i am in awe. The channel switch on the right side selects the following: Brilliant, based on the Brilliant channel of a 63 top-boost amplifier (the boost knob adds gain from the preamp of an EP-III tape echo); Normal, based on a 61 non-top-boost amplifier (the boost knob adds gain from a germanium treble booster circuit); and Vibrato, based on the vibrato channel of a 63 top-boost amplifier (the boost knob adds clean boost to the amps input). In all other instances, you are connected to the Hi input. England and Wales company registration number 2008885. no comments yet. I did try out the Sennheiser HD650 configurations - and do agree that you've got a pretty decent line level with those, but my preference are the AirPod cans and the Sennheisers will be sent back. Then UAFX released their Dream 65 and GAS got me and I just had to try it out. The boost functions sound excellent. I suppose a headphone amp would be necessary for that. Theres an interesting reconfiguration of the ins and outs available within the app in the form of 4cable mode, designed for use with amps that have an effects loop. The different helix units also have a lot more foot switches for live application, as well as more ins and outs. Theres no way to examine the settings used by the presets, which is disappointing as there are things to be learned from them. Help Build My Board (Backstory w/ Boss, Flint, True Spring, Eventide Space). In a world where makers of digital amp simulators take pride in offering a huge variety of models, Universal Audio have adopted a less is more approach. I had an epiphany looking at my pedals the other day when I realized deep dive menus and secondary functions are usually a deal breaker for me. Try using the lowsensitivity input and, on Fenders and anything with asimilar tone stack, turning bass and treble to zero (keep the mid control on maximum, if you have one). The slightly blankcanvas Normal channel does make agreat partner for an overdrive pedal in front, too. They all work well: the Deluxe into aDeluxe, not surprisingly, but the Vox into the power amp of aMark series Boogie is aspecial delight, maybe because it offers up akind of chime and grind that the Boogie on its own cant get near. Then theres the reverb, or two of them if you are using both outputs. I think thats what people are referring to. With stereo-in/stereo-out setups, the left/right input signals remain fully discrete from inputs to outputs. REVERB I love spring reverb. This helps keep it from sounding too digital. The 55 Deluxe and the Vox amps feature the very real Dynamic Room Modelling used by UAs OX processor, while the 65 Deluxe has amodelled spring reverb, or in fact two, if you use both outputs, as each amp has one, resulting in abit of spread due to the slight differences. Like all volumecontrolbypass bright caps, this one gradually diminishes as you advance the volume, and anywhere in the upper quarter it is no longer an issue. Today's best Universal Audio Dream 65, Universal Audio Ruby 63 and Universal Audio Woodrow 55 deals, We check over 250 million products every day for the best prices. If starting from scratch rather than using apreset, youd first choose your amp style: Stock, Lead (aDumblestyle mod) or DTex (a Csar Dazstyle tweak up, as done for Stevie Ray Vaughans amps). The Golden is just reverb, Dream is a whole amp (preamp, cab sim, spring reverb and tremolo). This channel doesnt have the gain of the Brilliant channel where many of the classic glassy Vox tones are to be found, but it is somehow organic and satisfying. Cheers! So there you go my tips for getting good discounted pedals. He also wrote the first book on vintage effects pedals, Stompbox. The onboard speaker sims are OK, but I downloaded the York IR Deluxe Reverb IRs and absolutely love those. All the presets actually reside in the pedal, but without the app, you can only access the most recently active one. He runs it through an 1176 and an API eq before capturing the IR and you can choose just IR, IR + 1176, IR + API eq, or IR + 1176 and API eq.

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